LUNA: Do you find that there is a difference between releasing a song now compared to releasing a song before the pandemic?ĬOVINGTON: You know, I feel very lucky and grateful to have a very consistent and loyal group of supporters who have stood by me throughout the last year. I will say it is relieving to have it out! I feel like it is doing its own lil thing. I have a finite honeymoon phase with most of my music. LUNA: That is so wonderful to hear! Glad things are going well! I also wanted to take a second to congratulate you on the release of “Mosquito Bites.” How does it feel to finally have that song out?ĬOVINGTON: By the time I’ve released a song, I’ve usually heard it a little too much. My grandma has been vaccinated twice so I feel much safer lately. The beginning of springtime is really refreshing! I’m enjoying this shift. LUNA: First things first: How are you doing? What is going on in the world of Camilla Covington?ĬOVINGTON: It’s warming up in my world. If you are curious about what she has to say for herself, check out our interview with Camilla down below. No matter who you are, the messages written inside Camilla's songs are critical ones that the listener should internalize. "Mosquito Bites" fills the room with a white-hot intensity that - in contrast to its laidback production that is reminiscent of the atmosphere of a smoky jazz bar - makes no mistakes in letting you know that its story and lyrics are exactly what you should be focusing on. "Mosquito Bites" and Camilla's work takes on these themes and generates a conversation in an ultimately candid and straight-forward way. The title - often known for being a tribute to Frank Sinatra - takes on a double-meaning: an allusion to Winehouse’s nature and tone in her work.
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When I first thought of Camilla being compared to Amy Winehouse, what immediately came to mind was Winehouse’s first album Frank.
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In a society where racism and sexism are prevalent more than ever, it is easy to understand her frustration and anger. With a quick wit and sharp tongue, she lays down the law with a brutalness compared to that of Amy Winehouse - lyrics eluding to a calling out of bullshit, and an encouraging sense of self-worth. And Amy’s was vivid and defiant until the very end, etched into our memory like her iconic tattoos.FULL OF RAW EMOTIONAL HONESTY AND BLATANT TRUTH - Camilla Covington's raspy voice and lo-fi jazz R&B music hits hard like a bullet, waiting to rupture the heart of those who dare to listen to her. For many women battling demons, our make-up is our last line of defence.
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Who could possibly tap into the particular type of rage and angst that is unique to British Jews, who are notorious for staying under the radar, whose identity and existence are practically invisible, compounded by being often told we “ don’t count”. It would be fantastic if, just once, a Jewish actor with Ashkenazi features could play one of the most prominent Jewish beauty icons of our time. There are talks of a biopic in the works. It was a bit of a pastiche, but it bequeathed Winehouse’s style the iconic status than many artists aspire to, but few ever achieve. In Paris, Jean Paul Gaultier’s collection for spring/summer 2021 haute couture was a direct tribute to Amy, with models sporting her signature beehive, teamed with Pat Butcher earrings, a cigarette and a sneer.
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Normally this chaos plays out behind closed doors, yet here was a mentally unstable Jewish woman emerging like a tornado in full flight for the world to gape at and gossip about – the ultimate taboo in our community. The 2015 documentary also hinted at underlying family trauma and a toxic home life.
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Of course we all know about how the media, together with an exploitative music industry, played a part in her tragic demise, as did the enablers and fellow addicts she hung out with.